there's something unsettling about pictures of dead people, even when they are as beautiful and serene as these victorian post mortem photographs, where the dead is posed as if asleep. i bet the victorians too would have prefered to have a photo of the person while he or she was still alive, but photography was too expensive, and sometimes people died without there being a single photograph to remember them by. especially children, who had a higher mortality rate back then, was never photographed until it was too late. the moment after someone's death was the last chance to capture a memory of them, and post mortem photographs were displayed along with the normal family photographs.
i did in fact paint some paintings ages ago with sleeping and/or dead people, inspired by victorian post mortem photography, but with a more contemporary look. i think the subject is easier for a lot of people to look at in a painting, although personally i have no problem looking at the photos; i think they're absolutely beautiful in a melancholic sort of way. i think the fact that you just can't tell if the subject IS in fact dead or if he or she is only asleep makes it interesting.
currator robert storr had a therory of the good grotesque that matches this effect; "it's like the duck/bunny trompe l'oeil, the drawing that looks like a duck at a certain angle but the bill becomes rabbit ears when it's turned on its side... is it a duck or a bunny?... they are locked and your mind keeps flashing from one to the other. good grotesques are sort of like duck/bunnies."
Wednesday, 23 July 2008
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